All for a Song
by Allison Pittman
About the book (from the publisher):
Dorothy Lynn Dunbar has everything she ever wanted: her family, her church, her community, and plans to marry the young pastor who took over her father's pulpit. Time spent in the woods, lifting her heart and voice in worship accompanied by her brother's old guitar, makes her life complete...and yet she longs for something more. Spending a few days in St. Louis with her sister's family, Dorothy Lynn discovers a whole new way of life - movies, music, dancing; daring fashions and fancy cars. And a dynamic charismatic evangelist...who just happens to be a woman. When Dorothy Lynn is offered a chance to join Aimee Semple McPherson's crusade team, she finds herself confronted with temptations she never dreamed of. Can Dorothy Lynn embrace all the Roaring Twenties has to offer without losing herself in the process?
I really enjoyed this book. At first I wasn't sure how I would like the split story between the present day and the 1920s, but I ended up really liking it. I found myself engaged in the story of Dorothy Lynn's life and didn't want it to end! I was very intrigued by Aimee Semple McPherson, did a little research on her, and discovered that she was the founder of the Foursquare Church! One thing I found strange was the showmanship in her crusades that the book alluded to. It made me wonder if Aimee was really like that, or if it was just a guess on the part of the author, to make the story a little more interesting. Aimee's character was one of my least favorites in the book. I really enjoyed Dorothy Lynn's story though. I found her to be a character I could really relate to, and I'm sure many others would feel the same.
Overall, I loved this fascinating story about a young woman coming of age in the Roaring Twenties. I would recommend it to anyone who loves a good historical fiction book. I give this book a "4 1/2."
1. What was your inspiration for this book, All for a Song?
There were so many different pieces that came together with this book; it’s hard to name just
one. First, I was introduced to, and then became fascinated with Aimee Semple McPherson,
and while I wasn’t ready to take on her story, I knew I wanted to create my own characters to
somehow come into her sphere. She was a woman who embraced both ministry and fame,
and I wanted to create a character who had that same opportunity. With that, I am so
inspired by the decade of the 1920’s—such sweeping social changes, shifts in moral
centering, an explosion of choices and opportunities for women. It was a time to test one’s
faith—to go against the new norms in pursuit of righteousness. Such a challenge!
2. Tell me about your main character Dorothy Lynn. Was her character based upon anyone in
The young Dorothy Lynn, no, not really—not beyond any other singer/songwriter out there.
She’s a young woman with a message and a voice, so maybe she’s a mash-up of every
musician I know. The older Dorothy Lynn, Miss Lynnie, is somewhat based on the mother of a
friend of mine. His mother went to be with the Lord while I was in the final stages of writing this
novel, and at her funeral, I learned that she had a stroke years before her passing, during
which she had a glimpse of Heaven, and had spent her intervening years longing to return. I
remember going home from that celebration of her life and re-writing just about every Breath
of Angels scene, incorporating that into Dorothy Lynn’s story. It was exactly what the story
needed, and brought about a depth I couldn’t have imagined in the initial draft.
3. What lessons or truths will your readers find in the pages of this novel?
I hope that they learn that it’s good to take a chance, to take hold of opportunities that
come your way, even if it doesn’t always make sense to do so. Yes, there are times that
require periods of prayer and reflection and guidance-seeking, but then there are times when
you have to hop on the next train and trust that God has the details well in hand. Along with
that, I’d want them to know that while there is breath, there is opportunity for grace and
forgiveness, but we might need to humble ourselves. There’s a theme of a longing for home,
no matter how enticing the alternative seems.
4. Although this novel is set in the 1920s, how does Dorothy Lynn’s story still resonate today?
The world today wants nothing more than to entice young women to exploit themselves in
some way, and the enemy wants nothing more than to make us think that we are beyond
redemption. We all make stupid, thoughtless, reckless decisions; we all get ourselves into such
unbelievably embarrassing messes; we all disappoint our loved ones. The world tells you to
move on; God tells you to go back.
5. As a writer, what did you particularly enjoy about crafting this story?
Oh, my goodness. As a historical writer, I loved the time period—that sort of new, innocent
fumbling with innovations of the time. One of my favorite scenes was when the 107-year-old
Dorothy Lynn experiences her first iPad. (By the way, I had to make her that old in order to
make all the history “fit.” I spent every day for a month watching the Willard Scott segment on
the Today show making sure that her age would be believable. Wouldn’t you know? Every
week there’s somebody that tops the 105th birthday!)
6. What is your hope for this story? How would you like it to impact readers?
I would love it if this book would prompt a reader to reach out to somebody they feel they
have lost. Reconciliation is hard—whether you’re the perpetrator or the victim of whatever
“wrong” that happened. But life is short, even if you’re going to get more than a century of
living, at some time that final day will come. Close those gaps in your life. Offer and ask for
forgiveness. Leave a legacy of grace.
7. How has this novel helped you to grow as a storyteller?
My tendency (a very purposeful one) is to leave my stories with a bit of an “unfinished” edge.
I like my characters to leave the page on the cusp of fulfillment, so that my readers can have
the pleasure of imagining those final, satisfying moments. A good friend (and, coincidentally
a fan) of mine said, “I love your books. I hate your endings. I’m just going to have to accept
that this is what an Allison Pittman story does.” So—how fun was this to write the most definitive
ending, ever! To open a story on the last day of a character’s life—so totally new for me.
8. What is the best advice or encouragement that you have received?
It goes back to a conversation I had with James Scott Bell back when I’d written
approximately 7 chapters of what would become my first novel, Ten Thousand Charms. The
whole conversation is chronicled in Chapter 16 of his fabulous book The Art of War for Writers.
(I’m the “young woman” – which I was, at the time, sort of…) Anyway, I was frustrated and
discouraged, and he explained to me that this writing thing was like a pyramid. At its base,
you have everybody who ever thinks they maybe might want to try to start writing a book
someday. At the top is Max Lucado. The rest of us are somewhere in-between. “Your job…is
to keep moving up the pyramid. Each level presents its own challenges, so concentrate on
the ones right in front of you.” I love and welcome every new challenge.
About the author:
Disclosure of Material Connection: I received this book free from Tyndale House Publishers. I was not required to write a positive review. The opinions I have expressed are my own. I am disclosing this in accordance with the Federal Trade Commission's 16 CFR, Part 255: "Guides Concerning the Use of Endorsements and Testimonials in Advertising."